Skip to main content

The World Of Creative Film

Search This Blog

Interview

on March 21, 2017

Get link
Facebook
X
Pinterest
Email
Other Apps

I have managed to get a response from the camera operator that I asked for questions about the industry. I have looked over his answers and they will go into the report.

Level 5 Professional Studies

Get link
Facebook
X
Pinterest
Email
Other Apps

Comments

Post a Comment

Popular Posts

My Influential Cinematographers - Bill Pope

Bill Pope About Throughout his career as a cinematographer Bill Pope has worked witch such directors as Sam Raimi, The Wachowski's and Edgar Wright. But before that he attended to the New York University where he gained a master in Fine Art and he won an Oscar for Achievement in Documentary at the 5th Annual Student Academy Awards in 1978 for his work on a student film The Sixth Week. Notable Films Army Of Darkness - 1992 The Matrix - 1999 The Matrix Reloaded - 2003 The Matrix Revolutions - 2003 Spider-Man 2 - 2004 Spider-Man 3 - 2007 Scott Pilgrim Vs The World - 2010 The World's End - 2013 Baby Driver - 2017 Alita: Battle Angel - 2018 Influence So what I've noticed from looking at a film like Scott Pilgrim Vs The World which is my favourite film of all time, the cinematography stands out to me straight away when I go back and re-watch it. His work on this film has inspired me because of how detailed but simple it can be in terms o...

Digital Production - Headsets and Props

Yesterday the lecturer, me and the director for part 2 worked on the headsets to insure they will work when we communicate with each other between the studio and gallery. These are the headsets that the camera operators will wear as well as the floor manager on the set itself You plug the headset into a box (image above yellow box) as well as an XLR cable The XLR cable will the connect to a microphone XLR on the wall The XLR cable on thee wall has a number. You remove the corresponding XLR cable from the top of the sound mixer (image above) That wire goes into the back of this box (image above) A person wearing he headset can signal the box (image above) using a small yellow light which is on the front panel (box inside yellow outline). It works the same way as well - you can signal to someone in studio with the same method of the yellow light After finishing with the headsets me and the director for the 2nd part went prop hunting....

Interrogation Scene Research

Now since I have never done a scene like an interrogation before I thought it would be best to look at some famous ones from movies and look into the aspects that I want to focus on such the cinematography. The first one that came to mind was the interrogation of the Joker in the The Dark Knight. Starting off with the lighting throughout the scene which uses the available lighting that an interrogation room would have: lamp and ceiling lights. Starting the scene off with just the lamp light and one ceiling light on was a great way to start the scene off as Gordon's face is half covered with shadow which would signify he is hiding something from the Joker but as soon as he leaves and Batman appears all the lights in the room turn on to show his presence in the scene. Moving onto the camera throughout the scene which is used very interestingly starting with the distance of the camera. The scene starts with a long shot to set the interrogation up. Then medium close-up...

Powered by Blogger